Home Categories Biographical memories Biography of Su Dongpo

Chapter 12 Chapter Eleven Poets, Courtesans, and Monks

Biography of Su Dongpo 林语堂 10795Words 2018-03-16
Hangzhou at that time, like today, was a magical city, sometimes called "paradise on earth".This is Su Dongpo's second hometown. He wrote as soon as he came to Hangzhou:
This is his second hometown, not only because there are beautiful hills, forests, lakes, seas, bustling streets and magnificent temples, but also because the local people love him very much, and he spent the happiest time in his life day.Residents have the joyful nature of southerners, poets and beauties, and they love the young famous poet and appreciate his impulsive, enthusiastic and carefree personality.Beauty inspired him, and soft charms soothed his soul.Hangzhou won his favor, and he also won the love of Hangzhou people.As a general judge (assistant official) in Hangzhou, he didn't have the opportunity to do more for the people, but his status as a poet was enough; when he was arrested, people in Hangzhou set up shrines to worship him in the street to relieve him of the disaster.After he left, the beauty and warmth of the southern country have always fascinated him.He knew that he would come back. Eighteen years later, he came back again to serve as the prefect. He made a lot of contributions to the city and left an immortal memory in the hearts of Hangzhou people. Everyone said he was from Hangzhou.Today, thousands of years after his death, if you go to West Lake, Gushan Island or Fengshan, or drink tea in a restaurant by the lake, you will hear the shopkeeper from Hangzhou repeatedly mentioning "Su Dongpo——Su Dongpo." He would not be happy if it was pointed out that Dongpo was from Sichuan.Hey, he thought Su Dongpo was born there, and had never been to any other place except the capital!

Su Dongpo's mood, wandering charm, love and joy are all 100% connected with West Lake.The poetry of the place and his works find the best play in each other.It is not easy for a city to find its representative poet. This person must be able to discover the local life, changes, and complex personalities, and write the essence, spirit, and beauty of the place in quatrains.In the most recognized poem chanting the West Lake, Su Dongpo compares the West Lake to the beauty Xi Shi in the Warring States Period; she is equally beautiful no matter she wears a dressing gown with light makeup or with heavy makeup.The West Lake has its own intoxicating charm in sunny days and rainy days:

This is of course only a metaphor.In any case, "Xizi" is more beautiful with makeup than without makeup.Su Dongpo beautified the lakeside and made everything appear natural with perfect artistic brushstrokes.Today, Su Causeway stretches into the center of the lake, and the charming reflection of the small islet is known as "Three Pools Reflecting the Moon", and the banks lined with weeping willows prove his skill in building scenic spots.The West Lake of Hangzhou and the "Little West Lake" of Yangzhou are two places where the genius of Chinese garden design has been fully developed, and human art and skill have improved the place without destroying it.The artist first grasps the natural pattern of the place, and strives for natural and integrated architecture. He just tightens, loosens or strengthens an outline sporadically, without doing much.

In the fourth year of Xining (1071), Su Dongpo arrived in Hangzhou with his wife and children on November 28.The official residence is located on the top of Fengshan Mountain. To the south, you can see groups of boats on the Qiantang River heading to the sea. To the north is the West Lake, surrounded by mountains, misty clouds, temples and villas of wealthy families.In addition to the prefect, Hangzhou has two adjutants, because it is a metropolis.The Su family lives on the north side of the residential area, which is the side by the lake.The high walls, bridges and ditches of the city are just under Fengshan Mountain, extending from the west lake to the Qiantang Bay in the north and south.Mrs. Su opened the window in the morning and saw the beautiful Pinghu Lake below reflecting the flowing clouds, mountains and villas. .Some parts of the city are brightly lit, and there are markets every night until two or three o'clock in the morning.There are all kinds of exquisite snacks, silk, embroidery, and incense fans that wives like, as well as various candies, toys and revolving lanterns that children like.Candy sellers in the Song Dynasty came up with all kinds of strange tricks to attract customers. Some used gambling to sell their goods, some dressed up as old men with white beards, and some wore masks to perform singing and dancing.Some people sell sugar shreds, some blow candies into the shapes of various animals, and some people make "sand sugar" which is similar to today's maple syrup.At the end of the Song Dynasty—about a hundred years after Su Dongpo’s death, and a hundred years before Marco Polo came to the east—someone wrote a book describing life in Hangzhou, vividly depicting the details of streets, canals, lakes, food and entertainment, such as Marco Polo's description is more detailed.Marco Polo mentioned that the prince went hunting by the lake, the princess bathed by the lake, and a large fleet of merchant ships traveled between Hangzhou and Quanzhou, but he was not familiar with sweets, pastries and common entertainment.Wu Zimu's book "Meng Liang Lu" lists many exquisite snacks over and over again, which makes readers extremely intoxicated.

Su Dongpo almost believed that he had lived here in his previous life.There are records in his own poems and miscellaneous notes of his contemporaries.One day he visited the Shouxing Courtyard, and the scene was very familiar as soon as he entered the gate.He told his companions that he knew that there were ninety-two stone steps leading to the confessional.The result is exactly right.He also described to his companions the architecture, courtyard, wood and stone of the apse.We don't have to believe in these reincarnation stories, but if the society believes in ghosts and reincarnation, there will always be many such stories, just like ghost stories, no one can prove whether it is true or not.In Su Dongpo's era, everyone believed in past lives, so this kind of story is not surprising. There is a story about Zhang Fangping's past life.One day he visited a temple and told everyone that he remembered being a Zen master here in a previous life.He pointed to the upstairs and said that he remembered copying a Buddhist scripture in the attic, and half of it was not finished.He went upstairs with his friends and found an unfinished manuscript with handwriting very similar to Zhang Fangping.He picked up the brush and started to pick up where he left off in his previous life.A similar story happened to a friend of Su Dongpo.The poet Huang Tingjian told others that he was a girl in his previous life, and his armpits had body odor.When he was working in Fuzhou in the lower reaches of Chongqing, Sichuan Province, one day a girl came to dream and said: "I am your predecessor, and I was buried in a certain place. The coffin is broken, and there is a big ant nest on the left. Please relocate me." ” Huang Tingjian followed suit, and the body odor in Zuoxiwo disappeared.

Su Dongpo served as the general judge, and he didn't have much responsibility except for the joint trial of the lawsuit.He hated it wholeheartedly, knowing that most of the people who got arrested were petty people who broke the New Deal laws, and he didn't approve of the New Deal at all.But the law has been set, and he cannot change it.Reading the poem written by Su Dongpo when he had to interrogate salt smugglers on New Year's Eve, perhaps it is easiest to understand his thoughts and mood at this time.The government monopoly system took over the salt trade, but merchants in the salt-producing areas near Hangzhou Bay refused to give up their business.Su Dongpo once wrote a letter to a cabinet member, explaining all the reasons for the private sale of salt.We don't care about the objective situation now, but only his attitude towards his fellow citizens, because he feels that he is no different from those prisoners:

He even wrote the truth for the pair: "What I have been ashamed of in my life is not ashamed now, and I am even more whipped when I sit next to the tired gangster. Dao Fengyang Hu shouted and said, knowing that it is not the only promise. What is the benefit of forgetting the truth?" , the integrity has shrunk to a very small extent.” In another poem, he talked about the pain brought by the Baojia system to the people, and described the cry of the people when they were beaten, and even his wife and children were arrested and imprisoned.He was later arrested, and it was these lines that charged him with undermining the authority of the government.

At this time, whenever he had the opportunity, he would travel around the mountains and rivers.He wants to escape into the embrace of nature, and the most beautiful face of nature is under his feet.His poetic spirit indulged in the beauty of the neighborhood.In addition to the urban area and the West Lake, the high mountains ten or fifteen miles away from Hangzhou have also become his favorite places to go.Starting from the West Lake, tourists can travel in all directions, along the north bank to the famous Lingyin Temple, climb up Tianzhuding, and from the south bank to Geling, stay for a while at Hupao Temple, watch the famous springs, drink tea, and then walk along a winding road. Walking back through the beautiful mountain stream.There are 360 ​​temples in the city and its suburbs, usually on the hills, where he can spend an afternoon chatting with the monks.Touring these mountains often takes a whole day, and he often comes back in the evening when the street lights are on.Passing through the brightly lit and crowded Xiaohetang Night Market, he often returns home half drunk, remembering some lines of poetry and then forgetting some:

Hangzhou is pleasant, and the West Lake is charming.The climate of the southern country makes people like to go outdoors all year round.All Hangzhou people play on the lake during the rainy season in spring and autumn.Even on snowy winter days, tourists take boats to enjoy the snow scenery.Especially on big festivals such as March 3rd, May 5th, Mid-Autumn Festival, Chongjiu, birthdays of local gods, and February 11th, the lake is full of vacationers, and boats are booked in advance on the first day.Visitors do not need to bring food, because all food, teacups, tea trays, spoons and chopsticks are provided by the boatman.Some boatmen even catch fish and sell them to tourists to release them. This is the so-called "accumulated virtue" in Buddhism. Maybe the same fish has been caught three times and let go three times, and has escaped the grasp of Hades three times.

Su Tungpo was fully involved in life on the lake.There are two types of tourists, one is with family members, and the other is with divas. The wives on the lake look at divas with fear, but divas look at them with envy.Divas sincerely hope that they can "redeeme" to marry and have children like wives.Su Dongpo sometimes went out with his wife and children, and sometimes had banquets with friends who were officials.He is versatile.He has a brilliant pen and can write concise, gorgeous and outstanding lines, and the literati of the same generation have to admire him, and he can also write simple sentences that are unforgettable and unpolished.With the family he can sing:

He wrote a pleasing poem for his friend who accompanied him as an official:
As soon as they arrived at the lake, the boatmen mobbed and harassed them to solicit business.They often choose a small boat that can hold four or five people.Sometimes when there are too many people, we will take a big boat, and put a dining table on the boat, and the skilled boat maid will prepare the food and wine.These family boats are all carved with fine craftsmanship, and there is a beak on the bow.There are other boats on the lake that sell food to tourists.Some people sell chestnuts, melon seeds, lotus root, sweets, fried chicken and seafood.Some people only serve tea.Some boats carried entertainers, who, as a rule, approached the boats of the tourists, performing songs, juggling, and supplying slings and other games of hunting.Around them was a lake of clear blue water, about ten miles in circumference.In the distance, white clouds live on the top of the mountain, and the mountain peak is looming.Yunxia makes the mountain peaks ever-changing and colorful, and the mountain peaks give Yunxia a habitat.Sometimes the weather is cold and snowy, and the fog covers the foot of the mountain.Through the fog, visitors can see scattered pavilions and pavilions, and glimpse the blurred ridges of distant mountains.The water in Jingtian Lake is very refreshing, and there are countless fish in the water. Su Dongpo once described the yellow turban of the boatman against the background of the green hills in two lines of pleasant poems, and the picture is very moving:
Driving towards the hills, they could hear the birds calling to each other in the wild forest.Su Dongpo was fond of traveling, and often wandered alone in the mountains, composing poems on mountain tops or water sources where there were few people.He often visited the temple and became a good friend of the monk.After Su Dongpo's death, an old monk said that when he was a child, he was a monk in the Shouxingyuan. In summer, he often saw Su Dongpo walking up the mountain alone.He often borrowed a monk's reclining chair and moved it to a nearby bamboo forest; he completely removed the dignity of an official, took off his clothes, and took a nap naked.The little monk peeked at the great scholar with awe-inspiring eyes, and saw a scene that others had no right to see.He saw—maybe he thought he saw—that there were seven moles on Su Dongpo's back, which were arranged like the Big Dipper.The old monk said that it can be seen that he is a god sent by the heaven, and he is only a guest in the world temporarily. After Su Dongpo left Hangzhou, he once wrote a poem to Chao Duanyan, outlining his travel habits.At that time, Chao Duanyan was about to go to Hangzhou as an envoy, and Su Dongpo gave him some advice: According to literary records, Su Dongpo had a relationship with religion, women—or monks, and famous prostitutes—in Hangzhou, and the relationship between the two was closer than we imagined.In Su Dongpo's eyes, sensory life and spiritual life are the same thing, and there is no conflict in his poetic and philosophical view of life.With poetry, he loves this life, and it is impossible to become an ascetic monk.With philosophy, he is very wise and will not sink into the hands of the "devil".He will not abandon green mountains and green waters, nor will he abandon beauties, poetry, wine and meat.But he has the depth to wear the superficial, cynical cloak of a dude. There is a story that he once brought together serious monks and singing girls, a story that best expresses his playful style.Chan Master Datong is a holy old man, and it is said that one must take a bath before seeing him alone.Women, of course, were not allowed in his room.One day Su Dongpo took his friends up the mountain to visit temples, and among them were singers.Everyone knows the habit of Zen masters, so they stop outside the temple.Su Dongpo knew him very well, and suddenly wanted to bring women into the temple to break his rules.He brought the singer into the temple and bowed to the old Zen master. Chase was very displeased with his faux pas.Su Dongpo said that if the Zen master was willing to lend the wooden fish used for chanting sutras to the singing girl Miao Ji, he would write an apology poem and ask her to sing it.So Dongpo asked the singer to sing the following little words: It was all stand-up comedy, and even Datong laughed. Su Dongpo took the singing girls out of the temple and told others that they had learned "mysterious Buddhist lessons." Monks and women are inseparable in Chinese literature.The stories of monks often involve women, and the stories of women often involve monks.Regardless of the East or the West, some celibates declare that they abandon sex life, which is different from ordinary human beings, which makes lay people secretly feel disgusted. This disgust is the reason why Boccaccio's works are popular.In addition, monks and women's affairs are more interesting than businessmen. As a general judge, Su Dongpo once ruled a case related to monks.There is a monk named Qingran in Lingyin Temple who often visits the red light district and falls in love with a girl named Xiunu.Later, his bedside was all gold and his clothes were ragged, so Xiu Nu refused to see him.One night when he was drunk, he went to find the girl again, but when the door was rejected, he forced his way in and beat her to death.He was charged with murder.The officials interrogated him and found two lines of poems tattooed on his arm: "I hope to be born in the land of bliss, so that I will be free from suffering lovesickness in this life." After the investigation was completed, the evidence was sent to Su Dongpo.Su Dongpo couldn't help but write this poem: The monk was sent to the execution ground for execution.The above two funny poems were written in slang and recited by the people, adding many good stories about this strange poet. There is a small collection of stories about Su Tungpo and his friend Foyin, the monk Hua.At this time Su Dongpo was not serious about Buddhism, and it was not until he was living in Guangzhou after the age of forty that he began to study Buddhist philosophy diligently.But a few monks in Hangzhou became his best friends, and soon he made more and more monks in Jingjiang, Nanjing and Taishan.Among them, at least Hui Qin and Shen Liao (Dao Qian) are poets and scholars worthy of attention.According to literary records, Foyin is not important.But he is portrayed as a romantic figure.He is mentioned more often than Shen Liao in popular works, and is regarded as Su Dongpo's good friend. Foyin never planned to become a monk, and he was a son of a rich family.According to a strange book, he and Li Ding are siblings of the same mother.The woman was a dissolute woman who had married three times and had three sons of different fathers—a remarkable record for the time.The emperor expressed his good opinion of Buddhism and was willing to listen to Buddhists. Su Dongpo brought him to the court, and Foyin tried his best to show his belief in Buddhism in front of the emperor.The emperor looked at him and found that he was tall, handsome, and extraordinary in appearance, so he generously promised to give him an ultimatum to become a monk in the monastery.He was in a dilemma and had to accept the emperor's advice, so he was forced to become a monk.During his stay in Hangzhou, it is said that he brought many servants and pack mules with him when he went out, which did not conform to the principle of abstinent life at all. Foyin is quite clever.There is a story describing the following words and deeds of two people, which is deeply philosophical.One day Su Dongpo and Foyin went to visit a temple.When they entered the front hall, they saw two fierce statues of gods, the gatekeepers of evil spirits. "Which of these two Bodhisattvas is important?" Su Dongpo asked him. "Of course, the person with the big fist is important." Foyin said. They walked into the inner hall and saw Guanyin Bodhisattva holding a rosary. "Avalokitesvara is also a Bodhisattva, what is she doing counting beads?" Su Dongpo asked. "Oh," said Foyin, "she also worships Buddha like others." "Which Bodhisattva should I worship?" Su Dongpo said. "Hey, worship Guanyin Bodhisattva." "What's going on here? She is Guanyin Bodhisattva, why should she worship herself?" "Hey," said Foyin, "you know it's better to ask yourself than to ask others." They also saw a Buddhist prayer book spread out on a shrine.Su Dongpo found a prayer: "It's unreasonable," Su Dongpo said. "My Buddha is merciful. How can she relieve someone's misfortune and pass it on to another person? If so, my Buddha is not merciful." He asked Miao Zhu to let him change his prayer, so he picked up a fine pen and changed a sentence or two: Many stories describing Su Dongpo's tit-for-tat confrontation with Foyin contain puns and cannot be translated into English.But there is a record below. The Chinese word "bird" has a slang meaning of obscenity, and Su Dongpo wanted to use it to laugh at his friends.Su Dongpo said, "Ancient poets often used 'monk' to deal with 'birds', for example, 'when you ask a woodpecker, it is suspected to be a monk knocking on the door', and there is also a saying 'the bird sleeps in the tree in the pool, the monk knocks on the door under the moon'. I admire the ancient poets Use the wisdom of a monk to a bird." Foyin said, "No wonder I, a monk, sit across from you." The monk often overwhelms the poet in the stories, and I suspect that these stories were invented by Foyin himself. According to records, the prostitution system in China can be traced back to the time of Guan Zhong in the seventh century BC, who set up prostitutes to inspire soldiers.In the Su Dongpo era, there were also official prostitutes who continued to serve as "entertainers in the barracks", and there were also some independent private prostitutes. However, China has a special tradition. High-level prostitutes are different from ordinary prostitutes. They occupy an important position in the history of literature. Some famous prostitutes themselves are poets. , and some are closely related to the lives of literati.They are unique and are closely related to the history of poetry and music, so they also affect the style of poetry.After a period of imitation by literati, the style of poetry has gradually become a cliché, and singing girls always introduce new forms to give poetry a new way.They are good at music and songs, and the daughters in the boudoir seldom play the piano and sing, and the themes of the songs are almost all love and passion, which are generally considered to be detrimental to the girls' character.So the tradition of singing and dancing for hundreds of years was almost entirely in the hands of singing girls. Officials in Su Dongpo's era used to hang out with singing girls at banquets and celebrations.This is the same as Yaspasia's participation in men's banquets in Socrates' time, and there is nothing dishonorable about it.Geisha poured wine for the guests and sang for everyone.Many people are extremely talented, can read and write, and artists with high musical attainments are often sought after by literati.Because women from good families cannot participate in men's social activities, men want to be with women, so they have to find professional entertainers.Sometimes flirting is not pornography.Similar to the charming and suggestive atmosphere of today's nightclubs, courtesans sing some relaxed, sophisticated, true and false lyrical ditties, and secretly engage in sexual affairs.High-class prostitutes are also very similar to modern nightclub entertainers. They can freely choose friends of the opposite sex, and some of them are amazing.Huizong once went out of the palace to a famous prostitute's house to chase her.However, the attitude towards courtesans was much more lenient then than it is now.Manhattan poets don't write love poems to showgirls, at least not to publish them.The poets in Hangzhou are different.Even well-known literati often wrote poems praising certain famous prostitutes.During this period, not only Han Qi and Ouyang Xiu left poems chanting prostitutes, but even serious and famous prime ministers Fan Zhongyan and Sima Guang wrote such love poems.Yue Fei, a national hero, also wrote a poem about singing girls at the banquet. Only strict and stern Neo-Confucianism respects "respect" and does not approve of this style of work.Their moral standards are stricter, and they are more in awe of gods and ghosts.When Zhezong was twelve years old, Cheng Yi, Su Dongpo's political opponent, once advised him to beware of the magic power of female sex.The little emperor was very tired of his warning, and when he met a woman at the age of eighteen, he believed that women were good and Cheng Yi was not.Once a student of Cheng Yi described his "spirit out of his body" in a two-line poem, and went to a woman in a dream. Cheng Yi exclaimed, "The theory of the devil! The theory of the devil!" The twelfth-century Neo-Confucianist Zhu Xi was also afraid Woman magic.Once, a good old man Hu Quan wrote two lines of poems to celebrate his forgiveness after ten years of exile, "Jun Enxu returned here drunk, with dimples on his pear cheeks."After sighing, Zhu Xi wrote the following thoughts: On the contrary, Su Dongpo took a more humorous view on the relationship between the sexes, and later he wrote the following note in Huangzhou: Su Dongpo participated in countless banquets with famous courtesans throughout his life, and nine out of ten times he had to write poems on shawls or incense fans at the invitation of entertainers: Su Dongpo wrote many lyric poems about women, but he never wrote erotic poems like Huang Tingjian's. Geisha in the Song Dynasty introduced a new style of poetry - "small words".Su Dongpo even turned small words from love poetry into a tool to describe any thoughts or feelings.The best Su Ci is the description of "Red Cliff", with the theme of the passing of ancient heroes.Li Bai and Du Fu's brilliant talents three hundred years ago once made the quatrains and regulated poems of the Tang Dynasty a fixed style of poetry that poets eagerly imitated.However, there must be two couplets in the middle of five-character or seven-character regulated poems, which will inevitably gradually lose their rigidity.Every poet wants to make something new out of the old.But the last traces of amorous feelings of waterfalls, egrets, or willow shadows have been exhausted, and the sense of fulfillment and emotional tension of the poets of the Tang Dynasty has also disappeared.What's more, even the vocabulary in the poem repeats old metaphors again and again.Some are difficult to write.In a preface to a poem chanting snow, Su Dongpo stated that the word "salt" is not used, and the word "snow" is much more beautiful after all.The themes of Tang poems have been overused, and the grammar often repeats other people's poems. Knowledgeable readers know where the twists and turns of thoughts and emotions come from, and they can't help but have a secret joy.Tracing back to the ambiguous source of a certain grammar gives "commentators" the opportunity to show off their knowledge.Usually, the writers of so-called "Jizhu" do not seriously explain the meaning of a poem and judge its characteristics, but are satisfied with pointing out the source of a certain wording. It is often necessary to wait for a new style of poetry to be born and popularized by singing girls before the poetry can get rid of the sluggish dullness.The grammar has taken on a new look, Song Ci is closer to the vernacular than Tang poetry, and Yuan opera is more vernacular than Song Ci. "Ci" is just a poem filled in according to a certain tune.We are not "writing" words, but "filling" words.The words are not like the "Lyric Poetry" with unified syllables in the Tang Dynasty. The length of the sentence can be changed by itself, which fully meets the requirements of the song. During Su Dongpo's time, this new style of poetry happened to be very popular.Through the talents of Su Dongpo, Qin Guan, Huang Tingjian, Yan Jidao and Zhou Bangyan, Ci became the representative literature of the Song Dynasty.Su Dongpo discovered Xiaoci in Hangzhou and loved it deeply. He began to write a lot of Yuefu Ci in the second year in Hangzhou.But the lyrics are originally in a lyrical style, and the chants are nothing more than "fragrant sweat", "embroidered curtain", "random hair", "spring night", "nuan jade", "sloping shoulders", "willow waist", "slender fingers" etc.How this kind of love poem can be free from debauchery depends entirely on the poet's skill in handling the subject matter.It is difficult to distinguish between lust and true love in poetry, so why not in real life.And the poet, like the current hotel entertainers, would rather describe the pain, lovesickness and longing of unrequited love.They describe the beauties who live in seclusion and think about other people, silently fondling their belts or long companions with lonely lamps.In fact, all the magic of a woman lies in her helplessness, her haggardness, her silent tears, her burnout, "broken heart", lack of food and drink, boredom, and all kinds of physical and mental misery, which sound as cruel as poverty. Poetic. The word "Su Wan" is almost pornographic.Su Dongpo was not only one of the great poets in the Song Dynasty, but also thanks to him—at least in his own works—the small poems were able to escape the tune of moaning about illness. Su Dongpo never had an affair with any famous courtesan.He had fun at the banquet, mingled with women, was very easy-going, but did not take concubines.Two women were particularly close to him.The talented girl Qin Cao was persuaded by him, and finally got rid of her status as a prostitute and became a monk.Chaoyun, who later married him as his concubine, was only twelve years old at the time, we will talk about her later.Today there is a rubbings of Song Ci written by Su Dongpo himself, which contains a masterpiece of a courtesan.According to the first few words, it is named "Niaoyun Post".The poem describes the situation of Zhou Shao, an official prostitute, attending a banquet.She competed with Cai Xiang, a tea taster and calligrapher, and often won.Su Dongpo passed through the city, and the prefect Chen Xiang invited him to dinner.Zhou Shao was also present.During the banquet, Miss Zhou asked to be expelled from the country, and the guests asked her to write a quatrain.She wrote the following poem, comparing herself to a parrot in a cage ("The Lady in Snow"): Other scholars have also written poems describing this scene.Su Tungpo also stated that she was wearing white filial piety.Everyone was very moved that she was finally free. This kind of official career requires the extreme trust and understanding of the official wife. However, the problem of a good wife is mainly to find a good husband. Similarly, the problem of a good husband is to find a good wife.There is a good wife in the family, and the man will not suffer from misfortune.Mrs. Su knew that she was married to a talented poet who was welcomed by everyone, and of course she didn't want to compete with him for the honor of literature.She decided to be a good wife and mother.Now she has given birth to two sons of her own, and as the wife of the judge, she has a comfortable home and enjoys certain social honors.She was young, about twenty-three to twenty-five years old.Her husband was brilliant, open-hearted, joking, and a great scholar!But there are so many people who admire him—both men and women!Didn't she see those women on the south side of the community, as well as the banquet in Wanghulou and Youmeitang?The new prefect, Chen Xiang, is also a scholar. He arrived a year later than them.And Zhou Bin, Lu Shaoqing and others were not good partners of her husband.Geisha are very talented, they can play and sing, and some can write poems.She doesn't write poetry herself, but she knows the words.Her husband often recited it, and she gradually became familiar with it.It would be embarrassing to ask her to sing, women from good families never sing.She felt much more comfortable when her husband went to visit barefoot monks like Huiqin and Biancai, all of whom had respectable long beards. It was several years after her marriage that she recognized his personality, his multi-faceted personality, sometimes easy-going, sometimes strong and stubborn.Now she knew she couldn't influence him, and she certainly couldn't argue with him.On the other hand, what is it if he writes poems to prostitutes?Everyone wants him to write.He didn't fall in love with any professional geisha, and it is said that he persuaded a famous prostitute, Qin Cao, to become a nun.Qin Cao is very talented, and it is only a step away from poetry to religion.He really shouldn't have recited Bai Juyi's poems describing the end of prostitutes to Qin Cao.Mrs. Su is smart and virtuous, and she doesn't want to use the wrong method to force her husband into the arms of a prostitute.Besides, she knew that her husband was a man whom neither wife nor emperor could stop, and she acted wisely—trusting him fully. As the daughter of a Jinshi, she can read and write, but she is not an "intellectual".She only cooked Meizhou famous dishes and ginger soup for him.He really needed someone to take care of him when he was sick!Poet husbands are sometimes unconventional, and that is their right.The husband knows that there are millions of books to read in the world, and the wife knows that she wants to build a home, raise children, and live her life.So she was willing to put up with his famous snoring—especially when drunk. Besides, he's really an odd bedside guy.She listened to his snoring, but could not disturb him.He was busy wrapping himself up before he fell asleep.He tossed and turned, arranged his body and limbs, and patted the bedding, making sure to make himself comfortable and comfortable.If the body is stiff or itchy, he massages it slowly.Then everything is in place.He was going to sleep, so he closed his eyes and "listened" to see if his breathing was slow and even. "Just close your eyes and listen to the rest." His secret is as follows: "Since it is straight and it is suitable to use it tightly, the heavenly king's four body, although there is a harsh itching at the back, there must be wriggling. It is necessary to calm down and win it. If you eat like this, your limbs will be hundred There is no disharmony between the bones, and I can sleep peacefully." Su Dongpo said that this has something to do with religion.The freedom of the soul depends largely on the freedom of the body.This is one of the projects that Su Dongpo will study in the future.He described his way of sleeping to two disciples, and went on to say: "If you try my method, you will know its meaning, and you will be careful if you can't explain it to others. The world's principles and precepts can be wise, and the wisdom is perfect, and you must follow the precepts." Be cautious and enter. There has never been a heavenly king who is not strict and can realize enlightenment." Later Mrs. Su discovered many of her husband's morning and evening habits.Combing and bathing are one of the important things in his life.If anyone at that time paid special attention to the study of the body, inner functions, and medicinal herbs, it was Su Dongpo. She is normal and stable, but the poet is not necessarily so.Her husband was often impatient, frustrated, and morose.On the contrary, Mrs. Su once said on the night of the spring moon: "I like the moon in spring, the moon in autumn is too sad, and the moon in spring makes everyone happy and satisfied." A few years later, they moved to Mizhou and lived in poverty. Su Dongpo expressed his dissatisfaction with the new income tax One day, a child pulled his clothes, and he couldn't help being angry. "Children are so stupid." Su Dongpo said. "You're a fool," replied his wife. "What's the use of sitting around thinking about it all day? Come, and I'll get you a drink." He wrote a poem about this scene, saying he was really ashamed.Of course he was very relieved when his wife warmed the wine for him, saying that she was much better than Mrs. Liu Ling who refused to let her husband drink. However, there is a corner of Su Dongpo's heart that few people discover. Mrs. Su must know that it is his first love for his cousin.The name of this person is unfortunately unknown to us.Su Dongpo has never been scheming, so he must have mentioned this to his wife.His affection for his cousin is buried in two poems, unnoticed by anyone who studies his work. Su Dongpo did not live in Hangzhou all the year round, he often traveled to the west and north.From November of the sixth year of Xining (1073) to March of the seventh year of Xining (1074), he traveled to nearby Shanghai, Jiaxing, Changzhou and Jingjiang, all of which belonged to Zhejiang Province during the Song Dynasty.His cousin married Liu Zhongyuan and lived near Jingjiang.He lived with his cousin for three months. Although he wrote a lot of travel poems and often wrote and traveled with his cousin's Weng Gong Liu Jin, he never mentioned his cousin's husband, nor did he write poems for him. he.He once wrote a poem describing the banquet at his cousin's house. The two sons of his cousin asked him to write an inscription, and he also wrote two poems for them.Su Dongpo respected Liu Jin's poems and calligraphy very much, and often cared about his cousin's children.But it's hard to explain if the cousin's husband-in-law is not mentioned at all during this period. Two poems written on this trip allude to his unusual friendship with his cousin.One was written to Diao Jingchun, and the theme was to recall a flower he saw in the palace.Two of them are as follows: He was not facing Gong Hua at that time, because he was not in the palace at all. "Disgusting from being young" must be describing himself, while "flower" originally represents women, and "old fragrance" may be an old relationship. Another poem addressed to Hangzhou prefect Chen Xiang has a more obvious meaning.The problem is that he returns too late in spring and misses the peony blooming season (the preface of this poem is very long).When he returned to Hangzhou, the peony season had indeed passed.However, his allusion to a girl who is already a wife is unquestionable, and there is no reason for the poem chanting peony to mention two allusions that hurt spring.To understand his metaphor, I must quote a poem written by a ninth-century girl (Du Qiuniang) at the age of fifteen: Therefore, "empty and broken branches" has become a metaphor for missing a youthful romance.Du Mu, her contemporary, also wrote the following poem: Ever since Du Mu wrote this poem, "Green leaves are full of shade and sons are full of branches" has often been used to describe mothers with many children, because the Chinese character "子" means "fruit" and "son". Su Dongpo's poem is not very coherent, especially using words such as "gold hazel", "shady knot", and "empty broken branch": This poem is neither suitable for Chen Xiang nor for Mudan, and it is wrong to study the text carefully.Shady and fruity should not be used to describe peonies.He also has no reason to call Chen Xiang to "pity" him for being old. "From now on" meeting every year is a farewell vow, and people who come back to see old colleagues should not use it indiscriminately; moreover, Su Dongpo does not want to set up a farm and live next to Chen Xiang.If you refer to Chen Xiang, it is especially strange to lament that a woman is full of shades.It is true that the two couplets in the middle of Tang poems must have nouns and adjectives in opposition. Sometimes the two couplets in the middle are completely modified terms, and the first two and the last two sentences represent the real poem title; but a Tang poem with a perfect structure should be integrated.Su Dongpo's poems are rarely so poorly structured, and the middle lines are completely filled in the blanks.Conversely, if this poem is written as a cousin, the thoughts and themes of the whole poem will be unified.The first sentence said that he missed the flowering period - the youth of the girl - and was ashamed to go home.The second sentence says that she has children.The third sentence asks her to take pity on her and express her loneliness.The fourth sentence said that he had her company this spring and lived happily.Five or six sentences clearly lament that I am not sure about my youth.Seven or eight sentences are easier to understand.At this time, Su Dongpo once wrote a poem saying that he wanted to live in Changzhou, not far from Liu's house.Later he did buy a house and farm in Changzhou, where he died later. I know that Su Dongpo's admirers will argue with me, saying that I allude to his secret love for his cousin.Whether this constitutes a stain on his personality is a matter of opinion.If it is true, Neo Confucianists must look down on Su Dongpo.But cousins ​​and cousins ​​are in love, since ancient times.Su Dongpo could not violate etiquette and marry a cousin with the same surname as his wife. Western readers were particularly interested in a poem inscribed on the wall of Jiaoshan Temple during his trip to Jingjiang. Su Tungpo must have heard stories of Cinderella being mistreated by her stepmother and stepsister and losing her dancing shoes, all of which are mentioned in the works of a ninth-century Chinese writer.不过据我所知,一个老人弄胡须上床的故事却由他最先写在作品中。 他以简单的韵脚描写一个长胡子老头。他从来没想过如何处理他的胡须。有一天别人问他睡觉时胡须放在哪儿。那天晚上他睡觉时开始感觉胡须的存在。他先放在棉被外,又放进被子里,然后又拿出来,一夜都没有睡。第二天他坐立不安,觉得最好把胡子剪掉。由诗中的内容看来,这似乎是一个通俗的故事,不是他自己想出来的。 我该提一下,“眇者不识日”的寓言倒出自苏东坡的创造,这篇作品是在密州写成的,爱因斯坦曾引这篇寓言来说明一般人对相对论的概念: 说也奇怪,这篇寓言竟被仇敌当做审判他的证物。罪名是他嘲笑当代文人盲目追随王安石的《三经新义》。 苏东坡个性复杂多变,很难了解。他是大哲学家,不可能变成清教徒,但他又是儒家子弟,不可能变成酒鬼。他了解生命,珍惜生命,不会把时光完全浪费在醇酒美人身上。他是自然诗人,怀有特殊健全的神秘人生观,往往和自然的了解密切融合。我相信任何一个人和自然、四季、雨、雪、山、谷那么接近,接受它的治疗,一定不会心思闭塞,具有封闭的人生观。 熙宁六年(1073年)重九他拒绝参加例行的酒宴。他避开友伴,独自乘船出游。他依照重九的习俗,天亮前就起身,到湖上拜访孤山的两位僧侣。那天晚上他独自坐在小船上,望着山顶有美堂的灯光,同事们正在享受喧哗的酒会呢。他写诗给周邠说:
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