Chapter 16 Famous impression

Cross talk is actually not a genre, a genre is that there must be followers. We listen to Ma Lianliang, Qilin Tong, Mei Lanfang, and Zhang Yanqiu. His followers must be the same as him, including appearance, headgear, clothing, makeup, Only by cloning the creator of a genre on stage can he be called the successor of this genre. To learn any genre, you must be like him, including the clothes. You have to embroider one piece as he embroiders it.At that time, there was no distinction between the northern and southern schools of cross talk. They all came from Beijing and Tianjin. Some of them couldn’t get along, and some got into trouble. Run away when you get into trouble, in fact, they are all from Beijing, and there is no Xuzhou culture or the culture that attracted Nanjing.

Different from following famous artists, crosstalk is to show off one’s personality. I say this, but my son can’t say that. If the same thing is sure to die, that’s not fun. We often talk about the two schools of Hou School and Horse School, but these two schools are still different. Not recognized as a genre.Mr. Ma once entered them. They are just Ma's cross talk, Chang's cross talk, Hou's cross talk, our family has this style, and you can only learn this style. You can never learn all his skills. You learn If you have the voice, the acting, the movements, and the language, then you must die. You must learn his essence, what is in his bone marrow, and his skills must be learned, so it is called cross talk. It's really hard to talk about the genre now.To say imitation, how to imitate?None of this can be imitated. This is the difference between cross talk and other art forms.Jingyun Drum can be like this, Liu Pai, Bai Pai, we all sing like that, it’s not wrong.

Mr. Hou Baolin is the father of my master Mr. Hou Yaowen, a famous comic actor of a generation. Mr. Hou’s cross talk is good because it is clean. In the era when he lived and performed, it was the time when the actors were talking nonsense, and the stage and the audience were well managed. It doesn't matter, the actors are not very serious, they will do everything to make the audience laugh and ask the audience for money.Under the circumstances at that time, he consciously cleaned up his cross talk, he did not join forces, he did not make strange appearances like other actors, many actors did some crooked singing at that time, he did not, he sang well, Mr. Hou took this To put things right, sing well, sing if you can sing, he has a good voice, and he has also studied opera and so on. His singing was unique among cross talk actors at that time.And I think he is a clean freak when it comes to art.In many places, drastic deletions and revisions have been made.Sometimes it is better to delete a few burdens, but also to maintain the integrity of the work, this alone can be called a master.Not every actor is willing to do this. This burden is so fun and enjoyable. I really don’t want it. Not every actor is willing to do this.He has a saying, rather not enough, not too much.Through his achievements and hard work, he purified cross talk.And to raise it to a position, Master Hou contributed a lot to cross talk.

Zhang Shouchen, known as the master of cross talk, the master of cross talk, he first created many cross talk works, such as many traditional cross talk, "Wen Zhengbu", including Shoubi Nanshan he compiled, "Geographic Map" and "Exaggeration and Exquisiteness" compiled by him Ah, it has become a model for cross talk. It has provided many programs for cross talk actors. Mr. Zhang is good at stand-up and counterparts. He and Mr. Cross Talk Heartthrob once performed on the same stage.Mr. Zhang is also a link between the past and the future.In the Shouzi generation, he can be regarded as the pillar, and later generations are called the King of Crosstalk.Today, Mr. Zhang Shouchen's son is still performing in Tianjin, and he is not too young. He has inherited Mr. Zhang's style, grand and steady.Fanfare refers to Li Deyang in the eight "virtues" of cross talk, and cross talk eight virtues refers to the eight old gentlemen with virtue in their names, including Ma Delu (father of Ma Sanli), Liu Dezhi, Zhang Dequan, Li Deyang, Zhu Deshan, Jiao Dehai...

Master Liu Baorui is a figure who has influenced the history of cross talk. So far, his stand-up comedy is still unrivaled. Many people also talk about stand-up cross talk, but it is far behind Mr. Liu. I like Mr. Liu. In other words, his voice has a unique performance, and even stutters in some places, forming his characteristics.After he finishes talking about many works, others will talk about them, and everyone will feel unhappy.This feeling is also deep in his bones, but unfortunately no one will succeed Mr. Liu. Mr. Chang Baohua is a family of cross talk, the representative of Chang’s cross talk, Chang’s cross talk starts with Lao Chang, Mr. Chang Lian’an was a Peking opera actor at first, but later his voice broke, and he had no choice but to reveal it to Zhangjiakou with his wife and children In the area, the eldest son is called Chang Baokun. When they were young, the father and son juggled on the street. The child was shirtless, and everyone liked him. Oh, this child is cute, like a little mushroom.Zhangjiakou went out to mushrooms, and he had a stage name of Little Mushrooms since he was a child.The children named them two mushrooms and three mushrooms in turn. Mr. Baohua was named four mushrooms, followed by "mushroom dregs".The Chang family had a strong record in the history of cross talk. Later, Mr. Chang Lian’an had a Qiming tea house in Xidan, Beijing, which was dedicated to performing cross talk. The Chang family may have been performing cross talk there for nearly twenty years, and a large number of cross talk Famous artists have all worked in the Chang family, and they have all cooperated with the Chang family. It has become a cross talk school. The fourth master Chang is good at operation. I heard from the old gentlemen that the fourth master Chang must be a very good person if he lives to this day. entrepreneur.In terms of operation, he is superior to others, and his brain is very good.Mr. Chang Baohua was a link between the past and the future, and later created some praise-type programs in the Political Department of the Navy. Later, he also supported Yu Qian and me. He is a very interesting little old man.

Mr. Ma Zhiming is the son of Mr. Ma Sanli. So far, his artistic attainments are among the best in the country. His personality must be the first in the country. No one can surpass him. .His performance is inherited from Mr. Ma Sanli and Ma's cross talk, and he covers a wide range of subjects, including allegro, Beijing rhyme, plum blossom, drum music, and drama, all of which can be sung. .But I appreciate Mr. Ma's cross talk very much. I have unconsciously borrowed a lot from Mr. Ma Zhiming in my works, and I have to admit this.Mr. Ma's health is not very good now, I hope he is healthy.

Mr. Ma Ji is also a famous figure in the history of cross talk. At the beginning, he followed four old gentlemen and worshiped Mr. Hou. Four teachers, Guo Quanbao, Guo Qiru, Liu Baorui, and Hou Baolin, taught him alone.Mr. Liu Baorui taught him more, took him to cheer him up, little by little, Mr. Ma also spoke well in traditional programs, looking for a meeting, stripping the mandarin jacket, many programs performed well.Later, there were a large number of works praising cross talk. Once upon a time, he was a cross talk giant on the Chinese cross talk stage. We should always remember Mr. Ma.

Jiang Kun, he has his strokes in the history of cross talk. In that era, his fresh style and unique performance also made his works extremely popular and brought joy to countless audiences. He has his own artistic achievements. It is also obvious to all that we cannot ask a person solely from the traditional cross talk techniques. He has his own characteristics, and he has made his own contributions to cross talk and folk art in his specific historical period, and we have to admit this.It's also unfair to ask others based on how much traditional cross talk they know. Mr. Hou Yaowen is my teacher. He is known as the aristocrat of cross talk in the field of cross talk. He has his unique charm, and he also inherited Mr. Hou’s grand and bright style of kingly style. He sees him very well on stage. Domineering, this is his style, and he is also extremely smart, and many shows are performed with bones and flesh.Many of our actors have bones but no bones. It seems to be the same thing on stage. After thinking about it, there is nothing in his show. The stage is shriveled, without the air of a king.On the contrary, Mr. Hou has both flesh and blood, which is rare.

Mr. Shi Fukuan is a famous comedian and actor I admire.This flattery is actually really hard to flatter. I learned how to flatter when I was a child, and then I learned how to laugh after talking about flattery. It is really not easy to grasp the size of the field and influence the atmosphere on the field.Mr. Shi has done a good job on this point, the energy, the things in the bones on the court are well coordinated and the actors are well supported. His apprentice Yu Qian is more and more like his master, and we are very comfortable on the court. Mr. Fan Zhenyu was popular all over the world in the 1980s. Together with Gao Yunpei, he was called "Gao Fan". When I knew him, he had already separated from Mr. Gao Yunpei. At that time, because we lived not far away, we often went there. I went to take care of the old man. He also gave me the key at home. If we have time, we can go over and have a chat. If the old man is not at home, we will help him clean up the house and stay for a while.So the relationship is very good, he is also my adoptive father.We got along very well with the old man, but he didn't compliment anyone later on. We talked about cross talk together, and he was a senior at that time. We worked together for about two or three years, and then he went back to Tianjin.The old man is very approachable, quite interesting, anyway, it is not robbing.Very interesting.

The ones that have had the greatest influence on me are the Hou and Ma families. I can see the things of Hou Yaowen and Ma Zhiming in me, and I can feel this in every work. However, I did not blindly imitate. I am quite clear on this point.I sat on one side and silently collected the good things of the two of you together. It was like trying on clothes. I just try to cut it decently.My artistic level is also limited. I think that some places have not messed up other people's art. In me, it can be said that I am trying to inherit the essence of the waiting horse. I am crazy again, and I have a little achievement today. .Of course, this kind of influence is more of an actor's performance skills, including the inner feeling on the stage. Sometimes you may not be able to feel it just by a certain sentence, but it is everywhere.