Chapter 11 not on tv

Some people say that Guo Degang's cross talk is a non-mainstream cross talk, and it forms a confrontation with the mainstream cross talk. I am not very willing to admit this.Why, in fact, there is no distinction between mainstream and non-mainstream cross talk, it is just a cross talk.Some people say that there may be some conflicts and confrontations between who and who, brothers and sisters may fight, and father and son may use kitchen knives.Not to mention the cross talk world? It is more likely to be due to different understandings of artistic concepts. This is the biggest problem. In the final analysis, it is just one sentence, and some people don't know it.Birds of a feather flock together and people are divided into groups. Why can I sit with Mr. Shi Shengjie and have a good conversation? Mr. Shi learned from Mr. Zhu Xiangchen when he was a child, and later worshiped Mr. Hou Baolin.Like Mr. Shi Fukuan and others, they all learned cross talk from elementary school, or from family traditions or by themselves. They have all learned it solidly, which is very important.

As for TV, first of all, I am very grateful for it. Without TV, how could so many people know about us?Where do these wrists get so many fans?When you go to Guizhou, Fujian, and Yunnan, in those extremely desolate places, some people will still say: Oh, I have seen you, you talk about cross talk.How does he know?Not every audience can come to Tianqiao Le Teahouse to watch Guo Degang talk about cross talk.My Guo Degang's destiny is not to talk about cross talk to 300 audiences every day in Tianqiao Le Tea Garden. If you love cross talk, you need TV to carry forward cross talk.Do your best to let him fully bloom.I don't have to guard these 300 audiences to talk about cross talk, this is very important.I have never said that cross talk cannot be shown on TV, which is wrong.Television has played a big role in the promotion of cross talk. It is like a frontier for advertising, telling the audience how good our cross talk is. If you really want to buy it, please come to our cross talk store or come to the theater.This has to be made clear, TV is fast food.I was hungry at four o'clock in the afternoon, so I went to KFC McDonald's to buy a hamburger, because there was still time before dinner at six or seven o'clock in the evening.In this way, its function is achieved.You can’t enter KFC and say you want a Buddha jumping over the wall, fry ten dishes for me, steam some hairy crabs, it won’t have it, you point to KFC to go out of the Buddha jumping over the wall, that’s your problem, that is to say, you point to the TV and want to be in the theater It is also impossible to watch cross talk inside.One of our programs lasts forty and fifty minutes. Which TV station gives you such a long time to talk about cross talk?That is impossible.

But through TV, let more people know that cross talk is still alive, this person is talking about cross talk, this work is very interesting, that's all right.The root of the actor is in the theater. It is not right to complain about other people's TV instead of talking about cross talk in the theater.We also have a group of actors, who I call slaves. The purpose of his life is not to talk about cross talk, he just hopes to bring him prosperity and wealth through cross talk, so what should we do, he must be on TV , In the theater, he can't control it, only TV can control it, if you want to be popular, you can be popular, if you don't want to be popular, then you can't be popular, even if you say nothing, then I will make it for you later, applause, Laughter, that feels just as wonderful.Many of our actors have seen this. It doesn't matter if I can't, TV can help me achieve it.In order for the TV station to make its own program look good, he has to help him do it too.

What the actor has to do is how to convince the director to help him do these things, how to use himself.This is a slave mentality.We have a group of directors who are very amateurs, outrageously amateurs.Many of our actors know the bullshit he said, but in order to be able to record the show, they still put in everything.Especially people in the cross talk world are very cheap.Why do those who sing make money always faster than those who speak cross talk?The director went to Zhang San, a singer, and asked how much is your performance?Oh, one hundred thousand.Hey, this is too expensive for you, so go find Li Si.Zhang San will tell you that it is more expensive for you to find him.He wants half a million!They all lift each other up.Only with cross talk actors, they pull each other down.The director is looking for someone to talk about cross talk, what are you doing?I went to Zhang San to talk about cross talk.how much is it?five hundred.Then you can find me, I only want three hundred.This is a deformed morbid psychology.

We let the audience get to know us through TV, but we can't go to TV to do cross talk on TV, you have to have a principle.Because Yu Qian and I have recorded programs on both Beijing TV and CCTV.For the programs we record, we must first emphasize whether we are passable, whether the audience will be happy, whether the audience likes to watch it, and whether they like it or not.If the audience doesn’t like it after recording, then don’t broadcast it.Many of our actors regard TV simply as an advertisement. I record a program on TV for 15 minutes, which is a 15-minute commercial. The audience knows me.But the exchange for these fifteen minutes may have been scolding from the audience.This may also be where I disagree with many people.So again, I never said that cross talk cannot be shown on TV.I just said that cross talk is more suitable for theater, that's all.It’s not impossible to watch TV, you have to watch it carefully and selectively, including what programs you watch, all of these have to be considered, and you have to be measured.