Chapter 25 Section 5 Zhang Yiyuan: I call the shots on my stage

In a blink of an eye, the Deyun Society has a new move to get rid of the old and welcome the new. The Zhang Yiyuan Tianqiao Tea House, located opposite the Oriental Hotel in Hufang Bridge, has had a regular performance of the Deyun Society since January 18, 2007. It can be regarded as the Deyun Society. The second fixed performance venue. The two venues involved the issue of personnel allocation. Master thought that I could already be on my own at that time. In addition, I had accumulated some experience in performing in Guangde Building before. In the early stage, I was assigned to Zhang Yiyuan to support the venue. I save up almost every game.The new garden has intensive performances, and there was no hype at the beginning. This place has gradually become popular through the ancient way of word of mouth.

When Zhang Yiyuan Tianqiao Teahouse just opened, there were really no people. Don’t worry about the popularity of Deyun Club, but when it comes to management, it is still in the stage of groping. I want to find a media channel to publicize that we have opened a new place. Without someone in charge, Master himself can't take care of it.At that time, my master was getting more and more busy, and he had little time to talk about cross talk in the small theater. The teahouse is not facing the street, nor is it in the center of traffic. To be honest, even if you pass by, you don’t pay attention to it. It’s just that you accidentally found such a place that talks about cross talk, and it also says Deyun Society. I was curious to come in and have a look. .Of course, there are also some old audiences who followed from Tianqiao Music, but sometimes people have such an emotion. I first listened to cross talk at Tianqiao Music, and I got used to the old atmosphere. Changing to a new venue would feel wrong and uncomfortable. , so I come here to hold a show, and I still want to go back to Tianqiao music and listen to the old garden stubbornly in my heart, so even if there are old audiences, there are not many.In fact, according to my own opinion, Zhang Yiyuan Teahouse is the most suitable for cross talk, no matter in terms of the size of the theater, the atmosphere of the theater, or the distance between the stage and the audience. I like it very much.

I dare say that the people who came to Zhang Yiyuan to listen to cross talk at that time were really diehard fans. The audience who were willing to follow me to listen to cross talk would listen to me. I thank them from the bottom of my heart.But after all, the number of these people is limited and their energy is limited, so Zhang Yiyuan was often dissatisfied with his seat at that time. At the worst time, there were only four or five tables of spectators. I feel, but it’s nothing, the big deal is to start again, there are not many audiences, and one bosom friend wins ten. During that time, I also talked very happily.

Unknowingly, the attendance rate has gradually increased, and it seems that overnight, it suddenly started to be full, and the venue was full. As long as I saved the number of games, it would definitely be full. This kind of sense of accomplishment is incredible. Generally, the feeling in my heart is beautiful at once, and an inexplicable sense of satisfaction is hard to describe. The guarantee of the box office is a silent but powerful recognition of my own strength. I am very proud of this process. In 2007, it was the peak period for me to talk about cross talk. Many of the cross talk jokes I performed were further polished in 2007, and in addition to traditional cross talk, I also began to try to create, and began to create my own cross talk Works, such as "Perfume Non-Toxic", which was the first to meet the audience, were produced through repeated grinding in small theaters. It took at least three months for "Perfume Non-Toxic" from its prototype to its final commercial performance.In the beginning, it was just a simple small comeback, a burden was shaken out, and I unintentionally said such a sentence on the stage. The live effect was very good, and I secretly remembered it in my heart. During the performance, it was constantly added and enriched, and finally formed such a complete joke.It is easy to say, it seems that there is no hardship in creation, it is not writing at home, it seems that a work has been achieved naturally.But in fact, every dismantling and washing is done after repeated consideration by myself, and at the same time, it is also subject to every on-site test by the audience.When I was talking, I was also paying attention to the audience's reaction. I remember that some audiences reported that Kaneko had been talking about the same comeback for more than a month, but if the audience is careful, they will find that from the beginning to the end, This encore has been revamped.

It's still 2007, why focus on this time period, because in this year, there are too many personal events, and many inner things, which I have never shared with you, and I feel embarrassed to express the words , probably because I am used to being humorous, but I suddenly became more formal, not to mention the people around me, even I am not used to it, so let me convey it in words, I hope readers can understand the kind of mood I want to say. In 2007, I held three solo cross talk sessions with Liu Yuntian and my brothers: the Lantern Festival session, the May 1st session and the October 1st session.The October 1 special session was held in Zhang Yiyuan. At that time, I was busy with the filming of Master’s TV series "Crosstalk Romance".The special show was at night, and I was still filming in Yangcun during the day. I drove to the garden at around 5 o'clock in the afternoon. I was stunned when I arrived at the garden. From the stage to the street", I couldn't hold back the excitement and joy in my heart at the time, and I suddenly became excited from exhaustion. This is my special show. I have to satisfy the audience who are here today even if I am exhausted. I have to be worthy of their hearts.

Zhang Yiyuan was also full that day, and the small theater with 300 people was full of seats, and there were people who bought extra seats and even stood.The reason why I was moved was that some audiences questioned my performance style. At that time, this topic was quite fiercely debated on the official forum of Deyun Society "Crosstalk Commune". Page.The supportive side is very supportive, and the opposing side is extremely opposed, reaching a completely negative attitude. Even in my opinion at the time, it was a bit insulting, saying that I didn't mind at all, it was impossible at the time, but looking at it now, it is already I'm relieved: some audiences compare me with some old cross talk actors, I should be happy, compare me to Ma Sanli, compare me to Hou Baolin, these are all masters in the cross talk world, and it's worthy to compare me with them I.

The topic of debate is nothing more than questioning my way of acting, negative attitude towards my uniqueness, and feeling that my future is doomed to be bleak in the long run, and I must deviate from the development direction of cross talk art. In the second and third years, it will inevitably disappear from the public's eyeballs. It is an act of destroying oneself and cross talk.These are opposing voices, on the contrary, they support this form of performance.In fact, I was really exploring a form of visual art performance at that time, using exaggerated body language and expressions to enrich the cross talk itself. If only relying on voice to talk about cross talk, then listening to the radio is enough. How can I attract more people? The reason for the audience to return to the small theater is to have performances that cannot be heard on the radio, to evoke the heartstrings of the audience to come to the scene to find out.

I thought, if I was really wrong at that time, Master would naturally come forward to correct me, so despite the great controversy, I still insisted. Caused me to change my style and compromise with the voice of public opinion.But judging from the results of the special session at that time, I still insist on my own style, and I am also proving to others that what some people said about my basic skills and my life is not solid, it is untrue. For my special show, I have carefully thought about what activities to arrange, and I will perform them in combination. For example, in the November 1 special show, I arranged three types of activities: "Cross-Housing", "Couplings on the Spring Festival" and "Fenhe Bay". The four aspects of Guankou, Wenwen, legwork, and Liuhuo have been studied. "Cross-House" and "Couple to the Spring Festival" are both basic introductory jokes. Young students who are new to cross talk use these two pieces of work to practice, but I want to let the audience see that even if Cao Yunjin does the basic work, he is different from others. , others use it for the opening, and I can use it to save money. In the same way, if others say it is not fun, I will make the scene collapse when I say it. , Make the legs work, the audience shouted "Ping Ping Ping Ping Ping Ping Ping, Ping Ping Ping Ping Ping Ping". I not only insist on the style of myself, but also to complete the effect that it is impossible for others to complete. Feelings that no one else can express.

I remember that I said something at that time: "You came to praise me, so I will speak well. I know that I may not speak well, and it is impossible to be perfect and satisfy everyone. Some audiences don't like it and think it is not good. , it’s okay, it’s not good, I’ll try my best to make changes and make it as perfect as possible, but satisfying 100% of the audience is just an ideal state of mine. Work hard, I will tell you that I am worthy of the money you spent, and the flowers you sent me. I will be responsible for making you happy when you come, just like buying apples. Maybe I am the rotten apple, not as good as the big one , but I have a lot of weight and give a lot. Making fruit dishes is equivalent to artistic processing. Putting them in front of you has the same effect. If you support me, I will continue to talk. If you applaud me, I will continue to talk. I am exhausted. Just treat it as falling asleep!" This can be regarded as a response to my remarks at the time, but in fact I later felt that I was unnecessary, and those who deny me will not change their views on me because of my words, or Time will tell everything, and objective facts are the best response to them.Now I want to say that my words are for those who support me, my cross talk is also for my friends, I will not deliberately cater to anyone, just like when I was a child, I just be myself, I only want to be the Cao Yunjin in my heart.object?Objection, objection is invalid.

The Ten. Thumbs up.You can be dissatisfied, but you are eliminated. There were a total of 5 sessions during the October 1st of 2007, but none of my fellow apprentices could reach my level. Since excessive modesty is a form of pride, then I don’t need to be humble, I’m good, and then, Once again I want to thank my audience, you are the best audience.