Chapter 70 Chapter Twenty

I felt like my head was about to explode.All the pictures I had previously drawn in my head, and all the diagrams I had actually drawn on paper came pouring out like boiling water. I can't easily let go of this opportunity! I went back to the Pineapple House where everyone was staying, took out a ballpoint pen and a notebook, sat down at Saburo's desk, and began to think.I already knew where I needed to think. This is the way to open Pineapple House. To say that it is opened does not mean that it will be changed back to the appearance of Nazugawa Villa again.Because turning it back to Natsugawa Sanso, all I could see was the parking lot.

I have to turn it on on a larger scale. Because after this opening, not only the compressed parking lot will be released. It's a vast world. Grasslands, seas, and mountains, and circular rainforests floating in the sky, with tall cumulonimbus clouds and many suns. Not to mention Ichiro and Jiro, and the twins they brought over. That world was almost the same size as the world we live in today. I first went back to Norma's "halved cosmology", which is both a "constant cosmology" and an "expanding cosmology" as well as a "vibrational cosmology".I know this idea, which looks so elegant on paper, is not at all just a hypothesis.Because I have already confirmed the existence of the bifold time point called "the end moment", and the existence of the double structure of the universe in which the time flow is reversed.And also witnessed "the end of the world".

But for the secret compressed space contained in it, hidden in the center of the pineapple, I have always imagined it as something connected before and after "End Moment", but it does not seem to be connected with each other.Having said that, when I tried to move to the future in the twin world, I just jumped up and landed, and was laughed at by Ichiro and Erlang. Could it be that it is not a characteristic of that world at all, but a hint that there Is there no continuous future at all?But in this way, where did the twins go?Thinking of this, I can only use my imagination to imagine, and I can't find any actual clues at all.

Let's think about it with the help of a schematic diagram.In the schematic diagram I drew before, the two compressed spaces that exist in the two space-times folded in half and overlapped are both represented by me as "Lifengliju", but if they are not connected at the "end moment", Then it should be two different spaces located in the same place.One of the spaces gathers many animal twins living freely, while the other is filled with human children, covering the entire ceiling.The ceiling world flows forward with the "ending moment" as the earliest past, so once the time flows until Fengliju changes back to Natsugawa Villa, and Natsugawa Villa finally returns to the state before it was built, that space may change. They were wiped out at the same time... No, I hid the children inside.As long as they are still likely to become victims of the shoot, I will definitely transfer that space to other places to maintain its existence.So what about the world of twins?The twin worlds are located in the time stream rushing toward the "end moment". Could it be that when it hits the "half point of time", will it go somewhere else?Or will it just disappear?

Will that world run away or disappear?I really don't understand why. No, it must not be that I don't understand. But there is no such reason at all. Spaces located in the same place should be connected to each other in continuous time.But that link is gone.As long as the mystery persists, I don't need to wonder why one of the parties disappears. I was on that twin world thirty minutes before "End Hour."No critical situation was found in it, and no dangerous breath was even felt.In that world, people can freely manipulate time and space, and it is impossible for them not to notice the approaching danger.So I think it should be impossible for it to disappear suddenly.

If not gone, where did it go? Think more simply.If it is not connected to the ceiling world, it must be connected to other spaces. Like when I broke through the "wall" of "End Moment", I stretched out the twin worlds and thought about it.On the other side of the "wall" of the "End Moment" where everything is folded in half, only the twin worlds stretch out straight... The incongruity I feel in this imaginary is probably because it would make Norma's "half-fold cosmology" lose all its elegance. But rather than the appearance of the chart, more incongruity comes from the imaginary form, which does not have the freedom, expanse and hugeness of the twin world.

That's right.The twins in that world must have moved to unreachable places with their own worlds.And even if the scope of each twin's world view is limited, the world itself has no boundaries at all. So I had to redraw the chart to have a correct shape with the above characteristics. I remembered the sentence that I thought of just now. The world of twins is a huge world. That world was almost the same size as the world we live in today. Based on the imagery of this sentence, I boldly redraw a picture (see Figure 17). The time after the "End Moment" is divided into two streams. Once the twin world passes through the "End Moment", it begins to expand rapidly until it becomes the combined size of the two overlapping spaces after the other tributary is folded in half... Then the figure It's finished.

There will be no contradiction in meaning within the scope of "constant cosmology".Until the "End Moment", the countercurrent worlds overlapped, and from the "End Moment", another world was born inside the previous world, and it continued to expand... This is the changing of the world. I stared at the picture I drew for a long time. To put it bluntly, this picture is a diagram of the birth of a new world from an existing timeline, and it also clearly shows the death of the old world. Or think of it as the cell division of a giant universe, which can be explained as one of the twin universes dying before it can grow.

In this way, the old world is the "vanishing twin" of the universe that quietly aborted and disappeared in the shadow of the new world... If you think about it from this diagram, where will the children who are concentrated in the ceiling world go? I can't let them go back to the future world after the half-fold.Even if it is sent to hide in the past world before the half-fold, it will be discovered and brought back sooner or later, and it will eventually become a victim of adults.Because "Blackbird Man" and Black Swan Corporation even in the world before "End Hour" can involve JJ and others to help them carry out activities.

Can I create another space that has the same future time flow as the ceiling world? Of course, this should be very simple in the future world after the half-fold, but I'm afraid it's impossible to maintain the level of security like Fengliju.Because that future will be controlled by Stallone and Black Swan. However, in the world before the half-fold, depending on the place I choose, I might be able to successfully evade their search... But how long can I hide in that place? After all, what I want to hide will be 300 million human children who are in the period of growth and development.These children can live a normal life depending on their 600 million parents who work hard, while we have no more than 31 people on our side now.It wouldn't make them huddle together like a flock of chickens in a chicken farm like the ceiling world, but not giving them a normal life is no different from abuse.And it's probably better to compare it with short-term, effective sexual abuse.

I really hope that I can bring the children to that twin world, and let them grow up without any abuse in an environment full of order and warmth. But is that possible? I stared at the picture again. Then found out a little. I have overlooked a key point in this “half-fold cosmology”, and there is a special place in this picture.That special place is the "End Hour."At any other point in time, two time-spaces with opposite time flows overlap together, such as at the "beginning and end of time", although it is crushed by the time-space at the end of the expanding future, but the time-space at the end of the past Space-time does not become zero. Like this, there are two universes with completely opposite time directions, but only at the point of "end time" are two completely identical universes superimposed.That is to say, only at this moment, the two universes will become one. Since the direction of time flow is the same, the white "barrier" must also disappear. Then, only at the moment of the "End Moment", no matter what people, objects, or animals can freely travel between these two time-spaces.Even the 300 million children stuck in the ceiling world could move to the twin world at the "End Moment" moment...and they must have already moved there.The random children must have only been in the ceiling world for a moment before being transitioned into the vast new world. Well, now I can finally revisit the question.Why transition through the ceiling world?Wouldn't it be nice to transport them directly to the twin worlds of "End Times"? But that was too difficult. I remembered.In this twin world, there is no unified past and future at all. Time cannot be counted without passing through the ceiling world where time can be counted by clocks. very good!very good!I'm starting to get excited.I felt that the picture I drew was gradually full of power. Then, I thought: How can I achieve what this picture depicts?How do I free the twin worlds from this original world? After thinking about it, I understood.This is what it meant to let Fengliju be opened for the second time on a larger scale.To open on a larger scale means to open to the end of the world.Let it expand toward the periphery of the world.Then I remembered the short sentence "to the periphery of the world". JJ let me see the message left by me in 2019. THE WORLD IS MADE OUT OF CLOSED ROOMS This is the English title of a mystery novel by Aihime Chuanshisan. The original Japanese title is "The World Is Made of Secret Chambers". After listening to JJ's explanation, I turned my head and forgot about it. There is something strange between the lines of this English title. Ok?I can't help thinking. What exactly is "I" talking about?That's what I was thinking. The strange thing I felt was this. The meaning of be made out of is "made of ... (materials)", which is consistent with the meaning of the whole sentence, but it is followed by "out of closed rooms", that is, "out of " was followed by "place", which made me vaguely feel the meaning of "outside the secret room".However, if it is interpreted in this way, the meaning of this title will be completely reversed, and it will become "the world is created outside the secret room". Worlds are created outside of confined spaces.Isn't this exactly in line with the title of my explanatory picture? Because of the double folding of time and space, it is impossible to pass the "end of the world", even if it crosses the "end time", it will not be able to leave any influence on the other side of time and space.That is to say, is that "future me" actually urging my present to create a brand new world outside of this "half-fold universe" whose history is sealed and cannot exert any influence from the outside? And, I can definitely do it. Because I've been to "the end of the world". And as long as it is a place I have been to, I can go there again anytime. So I looked at my picture and fell into thinking again. If history is a pre-determined and basically unchangeable thing, then perhaps it is not that I created a new world on the other side of this "halved universe", but because of the existence of this new world, the old world Happened in half?Did the birth of the new world and the death of the old world happen at the same time? In other words, the one who folded the world in half and killed it was actually me, wasn't it? In this way, I understand more. Hide the children, protect them, and let them transfer to the new world to settle in the new world through the convenient way of "the end time". I have the strongest expectations for this setting. My anger and hatred brought fate in and brought this world to an end. I stood up from the chair, tore out the drawing I drew from the notebook, lit it with the lighter in the drawer, and threw the burning residue to the "end of the world" with space transfer.At the same time, it is also measuring the distance between me and the "end of the world". I can do it. I can do it, and I will. Because all this has been decided. Because the destiny and the will have been prepared, I have a strong sense of mission in my chest, but I am inexplicably calm. I look at the clock, it's two thirty-five in the afternoon. There is plenty of time... Just when I breathed a sigh of relief, I suddenly found that the shadow cast by the clock on the table suddenly elongated.The shadow of the window lattice followed closely behind and crossed my field of vision.Then I felt a strong light passing by outside the window, so I looked out and found that the sun was sinking rapidly towards the horizon.I looked at the clock again, it was still 2:35 in the afternoon, and the second hand did not show any abnormalities. But the sunset outside was already burning violently like the piece of paper I lit just now, and then gradually dispersed and disappeared.After the red clouds disappeared, what was left was not ashes, but a dim night sky and twinkling stars. What happened? I hurried out of the study. The troupe members and famous detectives who were still commotion in the central hall just now had disappeared.I was startled when I heard a voice above my head. "When night falls like this and the light outside dims, as long as we don't light the chandelier in the central hall, but only turn on the wall lamps in the corridor..." That's Mercury C.He seems to be demonstrating how to use the mirror with the skylight.The magic circle emerged and was reflected on the skylight at the same time. I looked up and found that everyone gathered directly above me, listening to Mercury C's explanation. What are they doing again? Seeing me below, Mercury C said, "Oh, detective. You too, close the door quickly and come up. I'm explaining to them where the abducted children will be hidden in the future." what did he say?Why did it happen at this time? Mercury C ignored my gaze and continued: "From the hint of 'man hanging upside down'..." He was repeating the path I had walked not so long ago. I said to him, "Stop it, Mercury C. Don't mess around with me." But Mercury C said: “What are you talking about? Ah. 'The Hanged Man' actually implies my name at the same time, and I also shoulder the mission of finding out the truth."