Chapter 3 on the wasteland

Yang Zhijun has many labels: soldier, farmer, reporter, pure literature writer, best-selling author... and the success of the series has brought him countless halos-a million-selling best-selling author; winner of various literary awards; , portal.com and other lists remain high; the 10th National Spiritual Civilization Construction "Five One Project" Excellent Book Award; Under such a crown, there is always the deepest and most essential spiritual core: the afterglow of the essence of human relations is shaken off in the exquisite things, and the dawn of philosophical thinking about world affairs is immersed in the ingenious structure.In Yang Zhijun's creative trajectory, it is not difficult to find that this writer, known as the "wilderness writer", always shows us pictures of ten thousand renminbi through his unique perspective, and frames of majestic and sad Pilgrimage to...

The publication of the novel once again imprinted the writer with a strong "wilderness brand". Unlike the previous metaphors of animals (such as Tibetan mastiffs), Yang Zhijun this time focused his perspective more directly on all living beings and the more isolated Tanggu. In particular, the more mysterious no man's land, under the leadership of the magical red fox, legends emerge: the golden platform where wealth and cruelty coexist, the cave dwelling where life and dignity are, the torrent of legends and strategies, and even the most solemn grace—" "Sky burial", mixed peanut trees, and warblers flying around.Yang Zhijun's simple and concise style of writing not only runs through this grand structure, but also carves out various forms of the world, such as the tender and cowardly brother Grann, the shrewd and capable Zhang Busan, the brutal Yang Urgent.This is not just a king's strategy theory, but also the myriad of beings who are cautious, sneaky, arrogant, ignorant, honest and ignorant.

Up to this point, the novel is already wonderful. However, Yang Zhijun's ambition does not stop at a history of war. All living beings, there is also love in the wilderness.Interspersed with the adventure of gold digging, with the appearance of women, it will always be weird and rough, simple and even rough, but our writer still uses his style to fill up these flesh and blood, and pour out his tender intestines in the sand and snow—— because of love Survive, die because of wealth, just like the avalanche in the Tangut Gorge, which happened in a moment but engraved in a lifetime.There is no hypocrisy and crookedness, this love story is extraordinary.

A work, a work with a grand structure, full content and concise writing style is undoubtedly a successful work. This is the value of literature itself, a carnival of stories and a feast of words.Yang Zhijun never disappoints readers, and always brings surprises and sighs. In addition to the above, Yang Zhijun expounds the original and fashionable topic of man and nature in his new work: "Humans always use their own will to transform the world. To transform nature, human beings have indeed shown their superior will and tenacious vitality in this kind of struggle, but one day when the natural world is being destroyed, human beings will also taste the merciless revenge from nature!"